[Part 1]Many years after World War II had ended, an old German soldier returned to Normandy. He walked silently among the graves—German and Allied alike—each marked with names, ages, and dates frozen in history. A journalist approached him and asked, “So, who won the war?”The soldier looked up, eyes tired but steady. He pointed at the gravestones and replied, “Not them.”Then, he turned to the parking lot filled with tourists, war museums selling souvenirs, and nearby restaurants profiting off battlefield history. He gave a faint smile and said, “But someone did.”His answer wasn’t bitter—it was honest. In war, the fallen do not win. The real winners are often those who were never on the battlefield.The true victors in any war are seldom the brave soldiers who march into battle, risking life and limb for a cause they may barely understand. These men and women, often young and full of conviction, are the ones who endure the horrors of the front lines—mud, blood, and trauma etched into their memories. They are hailed as heroes, yet many return home broken, forgotten, or worse, left to navigate a world that no longer makes sense.Meanwhile, far from the battlefield, there are those who thrive in the shadows of conflict. Arms dealers, defence contractors, and political elites quietly count their gains, their fortunes swelling with every bullet fired and every bomb dropped. For them, war is not tragedy—it is opportunity. They are the ones who truly win, not by courage or sacrifice, but by turning violence into profit.In A People’s History of the United States (1980, Harper & Row), Howard Zinn contends that American wars—from the Revolutionary War through to Vietnam—were frequently wrapped in the language of noble ideals such as liberty, democracy, and national security. However, beneath the surface of these justifications lay a grim pattern: it was the working class, the poor, and especially marginalised communities who bore the greatest burden of war. They were sent to the front lines, sacrificed their lives, and suffered the economic aftershocks at home, while the elite political class and wealthy industrialists reaped enormous profits and expanded their influence. Zinn illustrates that far from being purely patriotic ventures, many of these conflicts served as instruments for the consolidation of domestic power and the expansion of capitalist interests abroad.He reveals, for instance, how the Revolutionary War not only aimed at freedom from Britain, but also served the interests of American landowners and merchants who wanted to avoid British taxation and trade restrictions. Likewise, the Civil War, while ending slavery, also helped Northern industrialists gain control over Southern economies. In Vietnam, Zinn highlights how corporations involved in defence contracting, oil, and construction made massive profits from a war that devastated a nation and traumatised a generation. The suffering was not a by-product, but a systemic consequence of a structure where the few decide, and the many bleed.In Blackwater: The Rise of the World's Most Powerful Mercenary Army (2007, Nation Books), Jeremy Scahill exposes how the Iraq War became a lucrative marketplace for private military contractors, particularly the company Blackwater. While young American soldiers were risking—and often losing—their lives on the battlefield for modest pay and under immense psychological and physical strain, private mercenaries from firms like Blackwater were earning astronomical sums, sometimes ten times the salary of regular troops. These contractors operated with minimal oversight, legal immunity, and a near-blank cheque from the U.S. government, allowing them to profit massively from the chaos of war.Scahill illustrates how the privatisation of war blurred the lines between national interest and corporate greed. Blackwater, backed by political connections and driven by profit motives, transformed war into a business model. The very nature of military engagement shifted—wars were no longer just fought for strategic or political aims, but also for corporate gain. Meanwhile, the soldiers who came home in flag-draped coffins, or not at all, were often forgotten by the same system that enriched private war profiteers. Scahill’s work paints a damning portrait of a military-industrial complex where death is outsourced, and war becomes a commodity.Dalam Blackwater: The Rise of the World's Most Powerful Mercenary Army (2007, Nation Books), Jeremy Scahill ngebongkar gimana Perang Irak jadi lahan basah buat tentara bayaran, terutama perusahaan Blackwater. Anak-anak muda Amerika yang berangkat perang pakai seragam resmi—banyak yang pulang tinggal nama, gaji kecil, dan trauma seumur hidup. Sementara itu, tentara bayaran—yang gak pakai bendera tapi pakai kontrak mahal—digaji puluhan ribu dolar sebulan, bebas hukum, dan bisa main tembak tanpa banyak tanya.Scahill nyorot gimana perang udah jadi kayak startup: ada investor, ada kontrak, ada keuntungan, dan semuanya dikemas dalam “keamanan nasional.” Tapi intinya? Cuan. Blackwater dapet kontrak miliaran dolar dari pemerintah, dan perang berubah dari “misi negara” jadi “proyek outsourcing.” Ironisnya, yang mati dan cacat justru tentara reguler dan warga sipil, sementara yang kaya adalah orang-orang berseragam hitam dengan badge perusahaan. Scahill ngasih gambaran gamblang soal industri perang yang lebih peduli pada laba ketimbang nyawa.In The War Business (1969, Simon & Schuster), George Thayer delivers a sharp critique of how nations—particularly powerful ones—simultaneously act as merchants of death and self-proclaimed messengers of peace. He reveals the double-dealing nature of global politics, where governments publicly promote disarmament talks, peace summits, and international stability, all while privately fuelling conflicts through arms sales. Thayer exposes the hypocrisy of state actors who speak the language of peace in diplomatic circles, yet profit handsomely from the very wars they claim to deplore. Weapons, he argues, are not just tools of defence—they are commodities in a ruthless market.Thayer's analysis underscores a disturbing reality: the war industry thrives not in spite of government rhetoric, but because of it. Countries often sell weapons to both sides of a conflict or arm unstable regimes, knowing full well that the resulting chaos guarantees more demand for weapons, more contracts, and more geopolitical leverage. The so-called peace brokers are often the same powers pulling the strings behind the scenes, manipulating war not only as a strategic tool, but as a business venture. Thayer’s work strips away the moral veneer from international relations, showing a world where idealism is often just marketing, and peace is postponed for profit.In The War Business: The International Trade in Armaments by George Thayer (1969, Simon & Schuster), George Thayer delivers a sharp critique of how nations—particularly powerful ones—simultaneously act as merchants of death and self-proclaimed messengers of peace. He reveals the double-dealing nature of global politics, where governments publicly promote disarmament talks, peace summits, and international stability, all while privately fuelling conflicts through arms sales. Thayer exposes the hypocrisy of state actors who speak the language of peace in diplomatic circles, yet profit handsomely from the very wars they claim to deplore. Weapons, he argues, are not just tools of defence—they are commodities in a ruthless market.Thayer's analysis underscores a disturbing reality: the war industry thrives not in spite of government rhetoric, but because of it. Countries often sell weapons to both sides of a conflict or arm unstable regimes, knowing full well that the resulting chaos guarantees more demand for weapons, more contracts, and more geopolitical leverage. The so-called peace brokers are often the same powers pulling the strings behind the scenes, manipulating war not only as a strategic tool, but as a business venture. Thayer’s work strips away the moral veneer from international relations, showing a world where idealism is often just marketing, and peace is postponed for profit.In The New Confessions of an Economic Hit Man (2016, Berrett-Koehler Publishers), John Perkins argues that the nature of war has fundamentally changed. No longer does imperial conquest require tanks, bombers, or boots on the ground. Instead, it is waged through spreadsheets, loans, and contracts. Perkins describes how economic hit men—like his former self—are deployed to developing countries under the guise of aid or development. They persuade, manipulate, or pressure governments into accepting massive loans for infrastructure projects they don’t need and can’t afford, all funded by foreign corporations and international financial institutions.According to Perkins, these debts become chains. Once a country is buried in unsustainable repayment obligations, it becomes submissive to the interests of the lending powers—usually the United States and its corporate allies. The country must then surrender control over its natural resources, vote according to the lender’s interests in global institutions, or allow military bases on its soil. War, in this new form, is silent and invisible. Instead of explosions, it brings promises of progress—followed by economic dependency, political manipulation, and subtle forms of domination. For Perkins, this is the modern empire: built not with violence, but with veiled coercion, debt traps, and the illusion of prosperity.In War Made Easy: How Presidents and Pundits Keep Spinning Us to Death (2005, Wiley), Norman Solomon exposes how mainstream media in the United States often acts not as a critical watchdog during times of war, but as a loyal cheerleader. Instead of challenging official narratives, many media outlets amplify them, using dramatic language, selective imagery, and trusted anchors to stir patriotic fervour and silence dissent. Solomon argues that this manufactured consent is no accident—it’s rooted in deep ties between media corporations, government agendas, and defence contractors who share mutual interests in war, ratings, and profit.Through historical case studies, from Vietnam to Iraq, Solomon shows how media rhetoric is carefully engineered to portray wars as noble, necessary, and swift. Phrases like “weapons of mass destruction,” “shock and awe,” or “liberation mission” are recycled slogans that sound heroic but mask brutal realities. Behind the cameras and headlines, media conglomerates often have board members or major investors linked to military industries, creating a conflict of interest that shapes the coverage. According to Solomon, when the media becomes an echo chamber for state propaganda, war stops being questioned—and starts being sold.How do wars sustain themselves? Not merely through weapons and soldiers, but through the architecture of fear, propaganda, and silence. Governments manufacture consent by stoking anxieties—of the enemy, of the outsider, of the unknown. Media outlets, often complicit or coerced, amplify these fears, shaping public opinion to support military action. As George Orwell warned in his seminal work, 1984, “War is peace. Freedom is slavery. Ignorance is strength.” In a world where truth is manipulated, war becomes not only justifiable but necessary.History, too, plays its part. Schoolbooks often glorify conquest, painting imperial campaigns as noble ventures and omitting the atrocities committed in their wake. National anthems and military parades become rituals of remembrance and pride, subtly reinforcing the idea that war is honourable. As Chris Hedges argues in War Is a Force That Gives Us Meaning, societies become addicted to the drama and unity that war provides, even as it corrodes their moral fabric. War, in this sense, is not an aberration—it is institutionalised.And then there is profit. Defence industries flourish in times of conflict, with arms manufacturers and private contractors reaping billions. Politicians receive campaign donations, lobbyists secure contracts, and stock markets respond favourably to the promise of prolonged engagement. War becomes not just normalised, but commodified. It is no longer a last resort—it is a business model.In the end, asking “Who benefits from war?” is not merely an academic exercise. It is a moral imperative. If conflict is inevitable, then so too must be our responsibility to interrogate who lights the match—and who sells the fuel. As Howard Zinn reminds us in A People’s History of the United States, history is not only written by the victors, but also shaped by those who profit from victory. To remain silent is to be complicit.When the guns fall silent and the last soldier is buried, there are always those who continue counting—just not bodies, but profits. The battlefield may be soaked in blood, but behind the scenes, balance sheets are printed in black ink. Defence contractors report record earnings, oil companies quietly secure new drilling rights, and private firms rebuild what their governments helped destroy. In this version of history, war is not a tragedy—it’s a transaction.It is not the grieving mother or the wounded veteran who gets the final word, but the investor who bought shares in a weapons manufacturer at just the right time. War is marketed with flags and anthems, but sold through contracts and stock exchanges. While civilians are told to sacrifice, someone else is signing multi-billion-dollar deals from the comfort of an office far from the front lines.So, who really wins in a war? Not the people who fought it. Not the ones who lost homes, limbs, or loved ones. The real victors are rarely mentioned in memorials. They wear no uniforms, fight no battles, and yet they always emerge richer. In the end, the price of war is paid in human lives—but the profit is counted in someone else’s currency.
[Part 7]